'Hi Nanna' movie review : A reaffirming tale of love that triumphs over all obstacles

 Nani, Mrunal Thakur, and composer Hesham Abdul Wahab elevate debut director Shouryuv's emotional play about love and destiny. 

The Telugu film Hi Nanna, written and directed by Shouryuv, is his debut feature film. This story that acquaints us with wonderful individuals in truly flawless settings has a couple of nostalgic figures of speech, for example, a pet canine being an impetus at urgent times. It's like a movie, but it feels so familiar. The main man, entertainer Nani, depicts a single parent, bearing everything to all onlookers and making us well up in tears, and Mrunal Thakur revels in the depiction of her layered characterisation. The background score by Hesham Abdul Wahab serves as a counterpoint to this story, which sometimes sounds unlikely and requires us to put our cynicism aside. Does it work? The amount one partak

es in this film relies upon whether we acknowledge a portion of the uncovers as the story advances and embrace it with its harsh edges.

Viraj (Nani) is a well-known Mumbai photographer who lives with his six-year-old daughter Mahi (child actor Kiara Khanna) in an architectural magazine's house (production designer Avinash Kolla and cinematographer Sanu John Varghese create an aesthetic visual palette). Although Viraj's calendar is packed with everything, he makes it fit the needs of his daughter. We get the impression from the first few minutes that he is a hands-on father. Mahi's little world with her dad, granddad (Jayaram), pet canine Pluto and Viraj's companion and associate Justin (Priyadarshi) looks almost awesome. She is, however, interested in her mother.

Hi Nanna (Telugu)

 >Cast: Nani, Mrunal Thakur, Kiara Khanna, and Priyadarshi Shouryuv

>Storyline: Nothing changes as a single father begins to tell his child the story of the missing mother 

>Music: Hesham Abdul Wahab

Shouryuv starts unloading Viraj's past in a fantasy way, in an organization that the dad uses to recount his little girl sleep time stories, and gradually proposes the self-contradicting segments. The author chief expectations that his crowd, as well, will persistently tune in and not let the online entertainment driven transient capacity to focus get the better of them. He makes Viraj feel bad by making him tell about his past in front of Yashna (Mrunal Thakur, Chinmayi's voice), who has been friends with Mahi for a few minutes. Gradually, the essayist pulls a couple of stunts from his cap. Occasions paving the way to break warrant us to embrace a couple of old world sayings, especially about ailments and the play of destiny.

One can either be pretentious about these directions or value how the essayist chief purposes them to show the differentiating characters in a relationship. In the event that Viraj is about trust, his significant other has nervousness gives that originate from experiencing childhood in a messed up home. Promises made only to be broken by fate are common. The lady flounders in sorrow and responsibility while the man, likewise in melancholy, frantically clutches a silver lining.

The single father's resilience is the foundation for a significant portion of the narrative. There's an exquisite scene from the get-go among Viraj and his imminent mother by marriage playing out like a been-there-seen-that particular situation of featuring monetary contrasts. Viraj counters her in the absolute most unequivocal manner, making us pull for him. Nani causes the composition to appear overall more appealing in how he depicts the assurance and honesty of Viraj who has confidence in unexplainable adoration and later as the dad who will do everything necessary for his girl. This is effectively Nani's best in the profound space since Jersey and he can make you well up lengthy in the wake of leaving the lobby.

Hesham Abdul Wahab, the film's music composer, is a big help. The songs are enjoyable and easy to hum, but the background music wins hands down. At the point when the types of 'idhe tholisariga… ' play at various places, it is unimaginable not to be moved. He additionally utilizes the quieting notes of the waves and hushes where fundamental.

The story of Mahi's mother gradually unravels. There's consistency in these bits that show how a solid sentiment, regardless of the weak spots, can eclipse all the other things. The talk on the ocean front and the party melody (highlighting Shruti Haasan) feel overdrawn. More characters are brought into the fight, similar to the ones played by Angad Bedi and Viraj Ashwin. A nervy Kuch Hota Hai reference is tossed in through a line expressed at the mandap.

We know how the story will end. In any case, simultaneously, it's not simply Viraj and his significant other who get to introspect on their relationship, nurturing and fate. For the older generation, Jayaram's understated character gently reinforces the beauty of love and responsible parenting. 

Mrunal, who is perfectly turned out by configuration, makes her mark in the last venture. After Sita Ramam, this film gives her a more intricate person and she moves forward, doing her absolute best. The part about friends and colleagues is easy for Priyadarshi. He mixes in effortlessly and in many spots, where he feigns exacerbation at the development or prods things in a specific bearing, he is us, the sane crowd pondering where this is all headed. Kiara Khanna, a child actor, keeps the drama going with her innocence and vulnerability. 

A couple of minor subtleties make the story more bona fide. The story, which begins in Mumbai and travels back in time to Coonoor and Goa, primarily uses English, Hindi, and Tamil, reflects the multilingual and multicultural population of these places.

I wish an episode in the last stretch didn't depend on advantageous occurrences. One can contend that first class Mumbaikars continue traveling to Goa and it's anything but a shock to track down very capable experts among them. Shouryuv drops hints when he presents specific supporting characters and their calling. However, it appeared filmic. In any case, the account has its heart perfectly positioned and trusts that we embrace it notwithstanding its conviction based actions.

Greetings Nanna is an endearing story of a dad, little girl and the mother battling her evil spirits and having faith in adoration. Such stories don't leave design, and Shouryuv's theatrics is a breather in the midst of awesome activity performers.